Claudia La Rocco reviews Like a Bomb Going Off and discusses Yakobson’s work in artistic and political contexts.
From the piece:
Yakobson is the subject of Janice Ross’s new book Like a Bomb Going Off: Leonid Yakobson and Ballet as Resistance in Soviet Russia (Yale University Press). Ross, a prominent dance history scholar, has just given a series of talks in San Francisco on Yakobson, including one at the ballet tracing connections between him and Ratmansky and another at the Contemporary Jewish Museum called “Disobedient Dances: A Jewish Choreographer in Soviet Russia” that featured live snippets of his work performed by two San Francisco Ballet students.
Severe, stylized, and danced barefoot, these briefest of moments from Rodin Sculptures, 1971, performed so carefully by these gleaming youngsters, were terrifically intriguing. Also tantalizing is Ross’s portrait, twenty-five-years-in-the-making, of Yakobson as a ceaseless experimenter who saw it as his life’s work to protect and encourage modernist impulses in ballet, despite facing systematic intimidation and erasure. “I believe he carried it to safety,” Ross said in closing her museum talk. “He was the through-line to innovation.”